As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
In The Price of Whiteness, historian Eric L. Goldstein documents the uneasy shift in Jewish-American identity throughout American history.
Are Jews a religion or a race or something else entirely? How did Ashkenazi Jews come to be seen as white? Goldstein addresses these questions and others in his rigorously researched book, which touches on topics like Black-Jewish relations, and features a surprisingly profound analysis of Adam Sandler’s “The Chanukah Song.”
What has it meant to be Jewish in a nation preoccupied with the categories of black and white? "The Price of Whiteness" documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. This book traces Jews' often tumultuous encounter with race from the 1870's through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was…
The story of many American Jews is a story of tension: between assimilation and continuity, universalism and particularism, Jewishness and Americanness.
The stories in Nathan Englander’s debut collection, a number of which are set in the sealed-off world of Orthodox Jews, center on tensions between the spiritual and the secular, the sacred and the profane.
To wit: the title story is about a Hasidic Jew whose rabbi permits him to see a sex worker “for the relief of unbearable urges.” Englander, who grew up Orthodox himself, is a master of the short story form, and his work gives readers a glimpse into a complex, cloistered corner of American Jewish life.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
From the acclaimed author of The Altruists, a hilarious and heartfelt new novel about a seemingly-perfect family in an age of waning American optimism.
The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. But when the father, Scott, is caught committing fraud at work, he sets in motion a series of scandals that threatens to shatter his family. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they’ll discover their own capacity for resilience, connection—and, ultimately, hope.
I’m an old guy. I say this with a bit of cheek and a certain amount of incongruity. All the books on my list are old. That’s one area of continuity. Another, and I’ll probably stop at two, is that they all deal with ordinary people caught in extraordinary circumstances—those curveballs of life we flail at with an unfamiliar bat; the getting stuck on the Interstate behind a semi and some geezer in a golf cap hogging the passing lane in a Buick Le Sabre. No one makes it through this life unscathed. How we cope does more to define us than a thousand smiles when things are rosy. Thus endeth the lesson.
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the House," readers are plunged into the emotionally charged moment when an oncologist delivers a life-altering diagnosis to a patient. The collection then shifts to "Prisoner 8086," a story about the unlikely friendship that blossoms between a prison volunteer and a habitual offender, exploring themes of redemption and human connection.
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the House," readers are plunged into the emotionally charged moment when an oncologist delivers a life-altering diagnosis to a patient. The collection then shifts to "Prisoner 8086," a story about the unlikely friendship that blossoms between a prison volunteer and a habitual offender, exploring themes of redemption and human connection.
